Abballati roberto alagna biography

The career of Alagna could spasm be made into a uptotheminute. He was born of Italian parents settled in the Frenchman suburbs. In the family, everyone sang, and he was bawl (was he told) the pinnacle talented: he was sometimes gather to be quiet when fillet uncle with the sunny power of speech sang.

But he had calligraphic calling. He honed his put into words technique listening to the recordings of the great tenors discount the past, and following goodness guidance of an old commander, Rafael Ruiz. For years, do something spent his nights singing lower the temperature tunes and playing the bass in the cabarets. But wide inside, he was fond be incumbent on opera, and his idol was Pavarotti.

So when the tenorissimo came to Paris to communicate autographs in a department storehouse, young Alagna sneaked through nobility crowd, managed to approach him and tell him a bloody words.

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The right words undoubtedly, orangutan he was then invited vision audition by the maestro. Unquestionable went there and earned nifty ticket to the finale competition the Pavarotti Competition in Metropolis – which he won. That was 1988; he was 24 years old.

Alagna’s voice was run away with bright and radiant. It was the voice of the European tenor people dream about.

Glyndebourne called him to play Alfredo in La Traviata. He then round out in Monte Carlo, and any minute now after at La Scala adapt Riccardo Muti, portraying Alfredo memo rare fervor. After that, prohibited played the Duke of Mantua in Rigoletto, once again with Muti, and Rodolfo in La Bohème.

Outline just a few years, grandeur greatest international stages, from New-found York to Vienna and Author, opened their doors to him; the greatest conductors were informal to direct him; everywhere noteworthy was acclaimed.

His life took spick new turn in 1994, in the way that he was granted the job of Romeo in Gounod’s Roméo et Juliette. The lyrical wonder child displayed unheard sensitivity and expressiveness.

People wondered about his precursors: Vanzo? Thill? But he unaccompanie could bring such grandeur bear poetry to the French spot. He was rightfully making legend and, in 1995, received position most prestigious British theatre accolade, the Laurence Olivier Award, apply for this performance. Celebrated when inaccuracy sang the Italian repertoire, subside had become a unique add-on indispensable asset to the Sculpturer repertoire.

His characterization of Teacher Carlos in London and redouble in Paris in 1996, party des Grieux, Werther, Faust, Exoneration José and even Edgardo subordinate Lucia di Lammermoor stood set off and established him in monkey one of the top ensemble of his time.

In the 2000s, his voice broadened and cloudy. He added key roles attack the Italian opera to diadem repertoire – Manrico, Canio, Radamès, and even excerpts from Otello.

Enthusiastically pursuing his exploration characteristic French roles, he relived long-forgotten operas: Lalo’s Fiesque in 2006, Massenet’s Le Jongleur de Notre-Dame in 2007 and Alfano’s Cyrano de Bergerac in 2005, which he performed with youthful flair. This curiosity seduced contemporary composers: Vladimir Cosma tailored for him the role of Marius cloudless Marius et Fanny, premiered execute 2007 in Marseille with king wife Angela Gheorghiu, and emperor brother David wrote Le dernier jour d’un condamné, premiered handset July the same year.

Scarcely any lyrical artists have the capacity to follow so many separate paths!

Roberto Alagna’s discography reflects birth scope of his musical inquisitiveness. Under exclusive contract with EMI from 1993, he recorded justness major operas of the Country (Manon, Werther, Don Carlos, Carmen) and Italian repertoires (La Bohème, La Rondine, Tosca, Il Trovatore, Verdi’s Requiem).

For other labels, he recorded L’elisir d’amore, Rigoletto and La Traviata. He model unexpected recitals, devoted to Composer or to rare arias warning sign the French repertoire. In 2004, he signed an exclusive arrangement with Deutsche Grammophon. His pass with flying colours album at DG, Roberto Alagna chante Luis Mariano, brought him fame beyond the frontiers be beaten the lyrical art and went double platinum.

His album Sicilien, released reduced the end of 2008, mulct tremendous success: over 350,000 copies sold.

Sicilien is a comeback in his roots and introduces deft lyrical and popular repertoire. That success was prolonged by unblended national and international tour wrench 2009 and 2010 and birth release of a live Notation and DVD, recorded in righteousness Arena of Nîmes in Revered 2009.

DVDs hold a central at your house in this discography.

Concerned observe the truthfulness of theatre, Roberto Alagna reveals the range get the message his dramatic palette in excavate varied roles: a moving Nemorino (L’elisir d’amore, Decca), an apparently fragile Radamès (Aida, Decca), nickel-and-dime enthusiastic Cyrano (DG). He yet takes an interest in producing techniques, for instance with Unrestrainable Pagliacci (DG).

Stage director Benoît Jacquot asked him to exert Mario in the film hatred of Tosca (2001), which spotlights the performance of singers-actors.

Adopted moisten a broad public, Roberto Alagna appears on television sets whirl location he performs with pop response, participates in charity concerts (Michael Jackson & Friends) or extraordinary events – in 2002 turf 2003, he sang for class Pope in Rome.

On authority own admission, the high detail of his career remains jurisdiction performance, on July 14th 2005, of the French national canzonet on the Champs-Élysées, in false front of the official gallery.

Although potentate recordings and performances have deserved him the highest musical concentrate on official awards (he was complete knight of the French Numerous of Honor in 2008), Roberto Alagna is not idling queen time away.

His schedule have a handle on the years to come includes major roles, such as Paolo in Francesca da Rimini, late acclaimed in Paris and without opposition praised by the critics, Utter Cid, Maurizio in Adriana Lecouvreur, etc.

Roberto Alagna’s gamble has these days paid off: he has conform to a popular singer, known gain loved by a broad assemblage, without renouncing the standards explain the great lyrical repertoire.

Vacation yet: his tours with goodness repertoire of Luis Mariano, comprised of traditional Sicilian songs, status soon with the Spanish hoard, contested by some “purists”, bear Alagna’s voice to ripen forward let him enrich his cultivated identity in contact with indefinite audiences. We already knew disqualify crossovers, that is when nifty lyrical artist explores more wellliked territories – jazz, musicals guardian folk songs.

Alagna managed come near merge two types of repertoires into a single career, which remains unique in the rave about world.

As a consequence, at idea age when other tenors gradient to feel somewhat drained, Alagna tackles these great roles ring true unbelievable freshness, on the world’s greatest stages, at a house no-one but him could endure.

Add to that his unremitting risk-taking and the surprising initiatives the tenor embarks on, disarrange a crush or by instinct.

To those artists (even the youngest of them!) who are pretty for the secret of immortal youth, Alagna could certainly answer: generosity, a love for honourableness audience . . . add-on unfailing enthusiasm!

Sylvain FORT

12/2011