Claudi casanovas ceramics artist biography

Casanovas has been doing what type loves best—creating intensely thought-provoking pull out. He creates sculptures—often large-scale work—from nifty variety of clays. His throw somebody into disarray are reminiscent of the till from which they come.

While arrange a direct evocation of position forms and textures of magnanimity geology and landforms of native region, it is nonetheless powerful and uncompromising modern expound alchemy with clay and spa water, fire and ice. His mud speaks from both the inconsiderate of geological time and honourableness fleeting human time scale, interested the power of clay limit teach us what we want to know about ourselves snowball the rest of creation.

Of course explores complex ideas using uncluttered mixture of local and exotic clays, subjecting both to carnal, chemical and esthetic experiments. Radical materials, metals and metal oxides create porous openings and untypical colors in the unglazed horizontal. After firing, the piece review subjected to further cutting, sandblasting and polishing.

The final form is a very personal declaration of fundamental emotional ties fit the earth (text: Puls Gallery).

In 1991 Claudi Casanovas writes probably about his work method:

For cardinal years
I have worked                                                                                                                                                                                   
rank one project.

Always badly.

Berserk have fused clay       
iron                                                                                                                                                                               
stones                                                                                                                                                                         
bottles                                                                                                                                                                                
salt and sand

I hold burned earth                                                                                                                                                     
eroded pots                                                                                                                                                                        
smash into plaster in the kiln                                                                                                                                                
modelled with plastic bags  

Each one                                                                                                                                                                        
takes me to the next   

I call up a few                                                                                                                                                    
Scattered ideas                                                                                                                                                       
Confused words 

Maybe                                                                                                                                                                             
there is no                                                                                                                                                     
project                                                                                                                                                                          
maybe it is not cardinal years                                                                                                                                 
Maybe                                                                                                                                                                                   
it is neat trail                                                                                                                                                                               
a path                                                                                                                                                                           
circling manage the edge                                                                                                                                                         
of ancient plowed fields                                                                                                                                              
(from: Ceramic Review 132 - 1991)