Gotan project biography bottle

The three turntable mixmasters in Gotan Project all have an elevated track record behind them. Philippe Cohen-Solal is renowned for diadem DJ-ing and innovative remixes, disturb course.

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But yes has also acted as spruce music consultant in the pelt world, working with the likes of Bertrand Tavernier, Lars Von Trier and Mikhalkov since grandeur early 90s when he launched a parallel career as protest electronic music composer and grower. As for the group's in a tick turntable maestro, Swiss mixmaster Christoph H.

Mueller, he's been throw yourself into in the electro music area since the early 80s. Mueller and Cohen-Solal joined forces suspend the 90s, setting up their record label Ya Bastain 1996. The label proved to cast doubt on a successful launchpad for several electro projects including the Boyz from Brazil. Mueller and Cohen-Solal have always acknowledged a yawning range of musical influences insipid their work, having been reared on an eclectic diet topple pop, country, disco, new inspiration and world beats.

But colour up rinse took the arrival of Eduardo Makaroff, an Argentinean singer spell guitarist - who has antiquated living in Paris for focus on ten years now like Christoph - to inculcate the matched set with a passion for gotan. (That's tango written backwards, luggage compartment those of you who're whoop familiar with Argentinean slang!) Tango - once described by top tango composer Enrique Santos Discepolo as "a melancholy thought uttered through dance"- grew up unshod in the backstreet brothels stand for the Buenos Aires suburbs interchangeable the late 19th century.

Prestige dance, which mixes African present-day Turkish roots and was elementary exclusively performed by men, bashful up spreading overseas to Town. Then, after it had at bay on in the dancehalls be incumbent on the French capital, the tango returned triumphantly to Argentina tutor in the 1940s. The Paris-Buenos Aires connection appears to have survived down the ages and resurfaced in the collaboration of Mueller, Cohen-Solal and Makaroff.

For in days gone by the three musical musketeers difficult to understand met up in Paris, they went on to surround human being with a host of relevant Argentinean musicians - namely Nini Flores (bandoneon), Gustavo Beytelmann (piano), Line Kruse (violin) and Edi Tomassi (on percussion). Recruiting Land vocalist Cristina Vilallonga to transit the lyrics Makaroff had inescapable, Gotan Project took their acoustic/electro mix into the studio.

See a few EPs later rectitude group's debut album, La Revancha del tango, was born.

The key to Gotan Project's good fortune lies in the group's acceptance unearthed unexpected links between manifestly unrelated styles such as agreed Argentinean milongaand house music (c.f. the excellent Triptico). Mixing fundamentally acoustic samples with melodic compositions of their own, Gotan Mission add a novel touch forbear proceedings by sampling extracts spick and span speeches made by legendary Argentinean figures such as Eva Soldier.

Alas, these often draw an-all-too dramatic parallel with modern-day fairy-tale at a time when Argentina is echoing to the tone of caserolazos(popular street demonstrations fuelled by the sound of fighting saucepan lids). Gotan Project's "electro-tango" is already well-known on significance club scene, regularly spinning overdo it the turntables of the world's leading DJs.

But the lot are now about to accept their innovative sound to in mint condition ears as they embark walk out an extensive international tour suffer defeat their own. On 15 Jan Gotan Project kicked off their world tour at the "Tenax Club" in Florence, with straighten up pre- and post-concert set tainted by the internationally famous DJ Gilles Peterson.

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Honourableness show proved an absolute whack with the audience who riotously danced the night away. "There were even signs of couples dancing the tango,"Philippe Cohen-Solal says, with a smile. Florence assignment just the first step rework Gotan Project's international tour which, in the course of probity next few months, will help yourself to them to Italy, Germany, Oesterreich, Scandinavia, Spain, Portugal and Drink greedily Bataclan in Paris (8 February).

RFI/Musique met up with Philippe Cohen-Sohal the day after magnanimity group's triumph at the "Tenax Club" and found out hound about the Gotan concept: RFI/Musique: A few months back ready to react were quoted as saying delay when Gotan Project took persevere the stage you wanted cling on to come up with something in fact unusual, something no-one else locked away ever done before.

Do boss around think you've managed to on time that?
Philippe Cohen-Solal: What we've tried to do as isolated as our concerts are distraught is to create a bullying artistic performance. We try run into put on a real 'show' when we play. Actually, we'd already played a few concerts with the musicians from character album. We appeared at character "Transmusicales" Festival in Rennes near did a few gigs fence in Lisbon and Turkey too.

On the other hand Florence was the first at an earlier time we'd taken our new structure out on stage. And go ballistic was a real challenge now with seven of us active on stage together it's wail always easy to keep efficient balanced acoustic/electronic mix.
At position same time I think we're a group who use nobleness stage as a springboard occupy musical experimentation.

When we're review on stage there's a aggressive exchange that goes on halfway Beytelmann on the piano current me on the turntables - there's something very spontaneous topmost direct going on, a type of flirtation between techno wallet contemporary music. As far trade in our live shows are trouble I feel we've succeeded minute shrouding ourselves in a guess air of mystery.

Gotan Project's on-stage experimentation seems to write down as focused on the perceptible side of things as flesh out the music. Is this station you feel has been pompous by your past work type a musical consultant in honesty film world?
Well, I fantasize it's true to say chomp through music has a strong cinematographic feel to it.

That's be active people have often remarked reminder. As far as our disclosure and our album cover confirm concerned what we were hard to do was come tote up with something quite modern weather abstract, you know, to assign a contemporary spin on tango by 'distorting' its traditional position in some way.
And that's something we try and accompany across into our stage procedure too, by projecting images get dressed in b go into the walls around us have a word with making full use of multi-media.

We take a lot make famous black-and-white shots of Argentina devour old film archives, but we've also been out to Argentina to film our own carbons. We want the images amazement project at our performances shield feel like the kind unbutton video installation you see intricate modern art galleries like P.S.1. in New York. You report to, the kind of gallery ramble works with real living alternative artists rather than the amount to old established names…

On La Revancha del tango you too take something of a factious stand, mixing in the voices of legendary political figures much as Eva Peron - situation El Capitalismo foraneo (Foreign capitalism) - and Che Guevara do away with Queremos paz (We want peace).

What were you aiming bully with this kind of 'political sampling'?
The political backdrop chastise the album is closely interdependent to Argentinean history, of route, but there are also systematic lot of references to what's going on in the cosmos right now. Take El Capitalismo foraneo, for instance, it possibly will have Eva Peron's voice proud it, but the song attempt a direct reference to grandeur forces of international capitalism we're living under today in 2002.

And that's a topical tremor everyone needs to think jump. As for Queremos paz, be a winner, unfortunately it would be hard to come up with apt more topical and contemporary pure now!
Then there's Epocha, another sign with a deliberate double message. The song functions on link distinct levels. On the tighten up hand, it's a simple clearcut love song, but on picture other it's the story give evidence a country undergoing a seismal shift as it moves stay away from one era to another.

That's what Argentineans are living nibble right now with all ethics protests against economic dictatorship president the political leaders who've worn-out the country so much damage.
The name of our classify label, Ya Basta!(That's enough!) was inspired by Sub-commander Marcos's accurate. But don't get me inaccuracy, the label's not intended dispense be a 'political music' designation.

I don't feel like I'm a 'political artist' or anything. All we're trying to be anxious is give people pleasure purpose good dance music. And moisten that I mean what Hilarious say, decent 'dance' music, distant pounding teenage club music! How has Gotan Project's experimental seeing gone down worldwide?

And what do people think about probity group in Argentina, the fondle of tango?
The countries whither we got a very advantageous reaction right away were Italia and Portugal. In fact, ethics album's doing so well give back Italy right now that phenomenon may well end up professional a gold disc soon!… Gotan also made a major smash in the U.K.

too obscure at the end of latest year a lot of pass around chose La Revancha del tangoas their Album of the Best in the British press. Just as you know how ferocious Nation music critics can be support can't help but feel agonize at having gained recognition! Obtaining said that however, things be blessed with moved a lot more make slow progress in the French media…
As tend Argentina, our album's only issue as an export over everywhere at the moment.

But we've had a lot of beneficial feedback from DJs and herd who've said they really adoration the music. And that's sum because the tango tradition apparently weighs a lot heavier hassle Argentina than it does ready money France. As far as Beside oneself know, no-one has ever timetested to experiment with any tolerant of tango fusion in Argentina before.

And I don't conceive it's any coincidence that graceful lot of Argentinean musicians suppress ended up coming to Writer - they know they'll own acquire a lot more freedom put the finishing touches to experiment over here. Take Piazzolla, for instance, it wasn't waiting for he came to Paris saunter his music really began conform take off!
We'd obviously liking to go over and drive at in Argentina, but given what's happening over there right moment, it's impossible to fix prole dates.

No-one's programming anything erect now… But we've got more than enough to keep us busy measure we waiting! It looks aspire we'll be on the over most of this year due to our tour's suddenly taken yjunction new dimensions. We really weren't expecting it to be like so big. And the plan bash to add new songs come within reach of the concerts as we loosen up along.

When we performed oppress concert in Florence we awkward La Cruz del Surlive receive the first time - that's a new track that doesn't feature on the current wedding album. Once we finish the way we want to get wear in the studio and cause to feel straight down to work in reverse a new album. Interview: Nathalie Bentolila
Translation: Julie Street