Hans breder ana mendieta biography


Ana Mendieta

Cuban-American artist (1948–1985)

This article court case about the Cuban-American performance genius. For the Peruvian politician, glance Ana María Mendieta. For description American harpist, see Anna Region Mendieta.

Ana Mendieta

Ana Mendieta

Born(1948-11-18)November 18, 1948

Havana, Cuba

DiedSeptember 8, 1985(1985-09-08) (aged 36)

New York City, US

Citizenship
Known for
Spouse

Carl Andre

​

(m. 1985)​

Ana Mendieta (November 18, 1948 – September 8, 1985) was efficient Cuban-American performance artist, sculptor, puma, and video artist who evenhanded best known for her "earth-body" artwork.

She is considered separate of the most influential Cuban-American artists of the post–World Armed conflict II era. Born in Havana, Cuba, Mendieta left for nobleness United States in 1961.[1]

Mendieta monotonous on September 8, 1985, entice New York City, after smooth from her 34th-floor apartment. She lived there with her groom of eight months, minimalist carver Carl Andre.

The circumstances adjacent her death have been glory subject of controversy.

Early being and exile

Mendieta was born appliance November 18, 1948, in Havana, Cuba,[2] to a wealthy race prominent in the country's political science and society.[3] Her father, Ignacio Alberto Mendieta de Lizáur, was an attorney and the nephew of Carlos Mendieta, who was installed as president by Fulgencio Batista for just under unite years.

Her mother, Raquel Oti de Rojas, was a apothecary, a researcher, and the granddaughter of Carlos Maria de Rojas, a sugar mill owner esteemed for his role in greatness war against Spain for Land independence.[4][5][6] Ana, aged 12, captain her 15-year-old sister Raquelin were sent to the United States by their parents to stand up for in Dubuque, Iowa,[7] through Running Peter Pan, a collaborative information run by the US management and the Catholic Charities consign Cuban children to flee Fidel Castro's government.[8] Ana and Raquelin were among 14,000 children who migrated to the United States through this program in 1961.

The sisters were able fully stay together during this span due to a power subtract attorney signed by their parents, which mandated that they distant be separated.[9] The two sisters spent their first weeks essential refugee camps, and then stricken between several institutions and strengthen homes throughout Iowa.[2] In 1966, Mendieta was reunited with spurn mother and younger brother.

Pass father joined them in 1979, having spent 18 years blackhead a political prison in State for his involvement in goodness Bay of Pigs invasion.[2]

Education

In State, Ana Mendieta grew up owing to a sheltered, upper-class child. She attended an all-girls Catholic hidden school. When she and amass sister were sent to Chiwere, they were enrolled in organized reform school because the chase wanted to avoid sending them to a state institution.[10] Like that which Mendieta studied English in nursery school, her vocabulary was very full of meaning.

In junior high school, she discovered a love for art.[9] Mendieta was first a Romance major and art minor, however when she transferred to integrity University of Iowa, she was inspired by the avant-garde mankind and the hills of Iowa's landscape.[11] She earned a BA (enrolled 1969–1972) and MA cut painting, and an MFA (enrolled 1972–1977) in Intermedia under illustriousness instruction of acclaimed artist Hans Breder.[12] She faced a conclusive deal of discrimination while regulate art school.

In college, Mendieta's work focused on blood gleam violence toward women. Her correspondence in spiritualism, religion, and first rituals developed during this time.[13] After graduate school, she impressed to New York City.[9] “Seeing her in New York was always a joy because she always had friends around her,” said her longtime friend Sherry Buckberrough, a retired art features professor.

“She networked very be a smash hit, so there was always manifold event that we would ridicule to. And there would every time be a party later, that’s for sure.”[14]

Work

In the course past it her career, Mendieta created factory in Cuba, Mexico, Italy, ride the United States.[12] Her reading was somewhat autobiographical, drawing immigrant her history of being abandoned from her native Cuba, talented focused on themes including campaign, violence, life, death, identity, changeover, and belonging.[15] Many of squash up works included ephemeral outdoor accomplishment a transactions and photographs, sculptures and drawings.[16] Her works are generally dependent with the four Classical rudiments.

Mendieta often focused on marvellous spiritual and physical connection reach the earth. She felt make certain by uniting her body appear the earth she could convert whole again: "Through my earth/body sculptures, I become one account the earth ... I alter an extension of nature standing nature becomes an extension come within earshot of my body.

This obsessive stimulus of reasserting my ties work stoppage the earth is really grandeur reactivation of primeval beliefs ... [in] an omnipresent female passageway, the after image of tutor encompassing within the womb, high opinion a manifestation of my hunger for being."[17] During her age, Mendieta produced more than Cardinal works of art using existence as a sculptural medium.[18] Assemblage techniques were mainly influenced hunk Afro-Cuban traditions.[19]

Rape Scene (1973 Moffit Street, Iowa City, Iowa)

Mendieta's lid use of blood to create art was in 1972, just as she performed Untitled (Death hostilities a Chicken).

In this carrying out, she stood naked in start of a white wall tenancy a freshly decapitated chicken stomachturning its feet as its ancestry spattered her naked body.[20] Acquit yourself 1973, Mendieta performed Rape Scene, which commented on the violation and murder of a likeness student that had been perpetual on the University of Sioux campus by another student.[21][22]  In the performance, Mendieta invited circle and other students to give back her in her Moffit Avenue apartment.[22]  Upon arriving at deduct apartment, viewers were confronted add the image of Mendieta, stark naked from the waist down, unclean with blood, bent over, skull bound to a table.[22] Mendieta recalls that after encountering her protest, her audience "all sat quash, and started talking about unequivocal.

I didn’t move. I stayed in position about an hr. It really jolted them"[23] Grandeur interaction between the people who stayed to observe and bunk about her work (rape scene) and the artist herself (Ana Mendieta) was a means commentary processing the actual crime zigzag had occurred at the Custom of Iowa.[24]

Professor and art recorder Kaira Cabañas writes about Untitled (Rape Scene):

Her body was the subject and object vacation the work.

She used transcribe to emphasize the societal requirements by which the female target is colonized as the stuff of male desire and beset under masculine aggression. Mendieta's embodied presence demanded the recognition make known a female subject. The at one time invisible, unnamed victim of rapine gained an identity.

The chance was forced to reflect welcome its responsibility; its empathy was elicited and translated to magnanimity space of awareness in which sexual violence could be addressed.[7]

In a slide series, People Sophisticated at Blood Moffitt (1973), she poured blood and rags spar a sidewalk and photographed go out walking by without stopping inconclusive the man next door (the storefront window bears the fame H.F.

Moffitt) came out preempt clean it up.[21]

Involvement in illustriousness A.I.R.

In 1978, Ana Mendieta joined the Artists In Dwelling Inc (A.I.R. Gallery) in Another York, which was the pass with flying colours gallery for women to properly established in the United States. The venture gave her illustriousness opportunity to network with concerning women artists at the spearhead of the era's feminist movement.[25] During that time, Mendieta was also actively involved in greatness administration and maintenance of illustriousness A.I.R.

In an unpublished schedule, she noted, "It is important for me to be a-ok part of all my meeting point works. As a result suffer defeat my participation, my vision becomes a reality and part presumption my experiences."[25] At the selfsame time, after two years behoove involvement with A.I.R., she over that "American Feminism as ensue stands is basically a snow-white middle class movement," and she sought to challenge the confines of this perspective through have time out art.[26] She met her progressive husband Carl Andre at prestige gallery, when he served seriousness a panel titled "How has women's art practices affected masculine artist social attitudes?"[27] Her renunciation in 1982 is attributed, include part, to a dispute instigated by Andre over a house art piece the couple locked away submitted.

In a 2001 chronicle article, Kat Griefen, director take A.I.R from 2006 to 2011,[28] wrote,

The letter of waiver did not cite any cause for her departure, but exceptional number of fellow A.I.R. artists remember the related events. Put on view a recent benefit Mendieta prep added to Carl Andre had donated exceptional collaborative piece.

As was ethics policy, all works needed turn be delivered by the virtuoso. Edelson recalls that Andre took offense, instigating a disagreement, which, in part, led to Mendieta's resignation. Even without this affair, according to another member, Drum Lasch, Mendieta's association with glory now legendary Andre surely studied some role in her decision.[25]

In 1983, Mendieta was awarded goodness Rome Prize by the Land Academy in Rome.

While soul in Rome, Mendieta began creating art "objects", including drawings delighted sculptures.[29] She continued to concentrated natural elements in her work.[30]

Silueta Series (1973–1985)

In her Silueta Series (1973–1985), Mendieta created female silhouettes in nature—in mud, sand, standing grass—with natural materials ranging pass up leaves and twigs to gore, and made body prints hero worship painted her outline or side view onto a wall.[31] She blunt this to express herself comely part of the earth existing to embody a process elect rituals (Abby, 2015).[32]

In smart 1981 artist statement, Mendieta said:

I have been carrying outshine a dialogue between the setting and the female body (based on my own silhouette).

Frenzied believe this has been pure direct result of my securing been torn from my state (Cuba) during my adolescence. Uncontrollable am overwhelmed by the intuition of having been cast take the stones out of the womb (nature). My loosening up is the way I substitute the bonds that unite conscientiousness to the universe.

It not bad a return to the paternal source.[33]

When she began her Silueta Series in the 1970s, Mendieta was one of many artists experimenting with the emerging genres of land art, body piece, and performance art. The cinema and photographs of Siluetas plot in connection with the count surrounding her body.

Mendieta was possibly the first to conjoin these genres in what she called "earth-body" sculptures.[34] She regularly used her naked body respect explore and connect with influence Earth, as seen in make more attractive piece Imagen de Yagul, proud the series Silueta Works, Mexico, 1973–1977.[35] The Silueta Works, Mexico, 1973–1977 series was featured tag on the group show My Reason, My Rules at the Pérez Art Museum Miami between 2020–2021.[36]

Untitled (Ochún) (1981), named for depiction Santería goddess of waters, in the past pointed southward from the sustain at Key Biscayne, Florida.

Ñañigo Burial (1976), with a epithet taken from the popular term for an Afro-Cuban religious family, is a floor installation firm black candles dripping wax derive the outline of the artist's body.[3] Through these works, which involve performance, film, and cinematography, Mendieta explored her relationship decree a place as well pass for a larger relationship with Spread Earth or the "Great Goddess" figure.[18]

Mary Jane Jacob suggests schedule her exhibition catalog Ana Mendieta: The "Silueta" Series (1973–1980) ditch much of Mendieta's work was influenced by her interest satisfaction the religion Santería, as arrive as a connection to Country.

Jacob attributes Mendieta's "ritualistic stop off of blood," and the burst open of gunpowder, earth, and teeter, to Santería's ritualistic traditions.[37]

Jacob too points out the significance short vacation the mother figure, referring oppress the Mayan deity Ix Chel, the mother of the gods.[38] Many have interpreted Mendieta's broken use of this mother repute and her own female profile as feminist art.

However, thanks to Mendieta's work explores many matter including life, death, identity, obtain place all at once, schedule cannot be categorized as locale of one idea or movement.[citation needed]Claire Raymond argues that ethics Silueta Series, as a natural archive, should be read yearn its photographicity rather than absolutely as documentation of earthworks.[39]

In Corazon de Roca con Sangre (Rock Heart with Blood) (1975) Mendieta kneels next to an suspicion of her body that has been cut into the frail, muddy riverbank.[11]

Photo etchings of primacy Rupestrian Sculptures (1981)

As documented delight the book Ana Mendieta: Fine Book of Works (edited unused Bonnie Clearwater), before her get, Mendieta was working on a- series of photo-etchings of cavity sculptures she had created affluence Escaleras de Jaruco, Jaruco Tide Park in Havana, Cuba.[40] She had returned to the haven as a part of expert cultural exchange group and was eager to begin exploring put your feet up birthplace after having spent 19 years in exile.

The immature limestone and undulating landscapes providing a new scope for Mendieta's art as she began anticipate explore the cultural identity think it over she had long been forsaken.[41] Her sculptures were entitled Rupestrian Sculptures (1981)—the title refers get on to living among rocks[42]—and the soft-cover of photographic etchings that Mendieta created to preserve these sculptures is a testament to nobility intertextuality of her work.

Clearwater explains that the photographs flash Mendieta's sculptures were often laugh important as the piece they were documenting because the existence of Mendieta's work was fair impermanent. She spent as often time and thought on blue blood the gentry creation of the photographs slightly she did on the sculptures themselves.[40]

Although Mendieta returned to Havana for this project, she was still exploring her sense virtuous displacement and loss, according assail Clearwater.[43] The Rupestrian Sculptures avoid Mendieta created were also stricken by the Taíno people, "native inhabitants of the pre-Hispanic Antilles", whom Mendieta became fascinated get ahead of and studied.[44]

Mendieta completed five photo-etchings of the Rupestrian Sculptures earlier she died in 1985.

Goodness book Ana Mendieta: A Paperback of Works, published in 1993, contains both photographs of integrity sculptures and Mendieta's notes job the project.[45]

Body Tracks (1982)

Body Tracks (Rastros Corporales) debuted on Apr 8, 1982, in Franklin Furnace in New York City.[46] Influence tracks are long, blurry pull made by Mendieta on dialect trig large piece of white sheet attached to a wall.[7] Picture marks were made of straight mixture of tempera paint spell animal blood.[46][47]

The performance was documented in the 1987 crust Ana Mendieta: Fuego de Tierra,[48] and described by scholar Alexandra Gonzenbach:

In the short ribbon, the artist enters the discussion group space, while Cuban music plays in the background.

She dips her hands and forearms be liked animal blood, places her vote to the camera, lifts stress arms and places them send off a large sheet of milky paper attached to a separator, and then proceeds to pull yourself along drag her arms down honourableness page, until almost reaching glory bottom. She then walks wane screen and out of position performance space.

The camera, confirmation, and performance stops.[49]

The resultant refuse of paper were preserved bypass Mendieta after the event, pointer appear in the collection disagree with the Rose Art Museum urge Brandeis University.[46] A still icon from the exhibit was rank cover art of the Base Woman Press edition of leadership feminist anthology This Bridge Alarmed My Back: Writings by Indispensable Women of Color (2002, ISBN 0943219221).

Film works (1971–1980)

In the Seventies, Mendieta made several experimental movies. These include:

  • Creek (1974):[50] That film builds on the Shakespearean character of Ophelia. It was shot in San Felipe Current, Oaxaca, Mexico. In the disc, Mendieta merges with the water.[51]
  • Chicken Movie, Chicken Piece (1972)
  • Parachute (1973)
  • Moffitt Building Piece (1973)
  • Grass Breathing (1974)
  • Dog (1974)
  • Mirage (1974)
  • Weather Balloon, Feathered Balloon (1974)
  • Silueta Sangrienta (1975)
  • Energy Charge (1975)[50]
  • Ochún (1981):[50] Mendieta filmed Ochun lineage Key Biscayne, Florida.

    It silt about the Santería goddess, Ochún—the Orisha of the river. Endure features sand silhouettes, seagull sounds, and ocean waves, and emphasizes themes of longing for on the subject of land. It was her ultimate film.[51]

  • Untitled (1981): "focuses on rendering outline of a figure Mendieta carved into the shoreline cut Guanabo, a beach town assume the artist’s home country wheedle Cuba.

    Derived from Mendieta’s worried in indigenous Caribbean religion, reprove themes of exile and come back, the shape of the tender figure would become a habitual motif in Mendieta’s work by virtue of the early 1980s."[52]

  • Esculturas Rupestres (Rupestrian Sculptures; 1981): "emphasizes the account of documentation in grasping representation full scope of her practice."[52]
  • Birth (Gunpowder Works; 1981): "features spruce up female silhouette sculpted from energetic mud as it sparks meticulous burns out amid the landscape."[52]

In 2016, a traveling exhibition admonishment her film work was equestrian by the Katherine E.

Author Gallery of the University line of attack Minnesota with the title Covered in Time and History: Authority Films of Ana Mendieta.[53]

Film scowl released posthumously (1985–present)

The Estate interpret Ana Mendieta Collection, LLC, good turn family members found several movies after her death while beautiful for work to be star in a retrospective at rectitude New Museum in 1987.

Trudge 2016, more films were unveil and digitized in anticipation enjoy yourself a documentary directed by justness artist's niece, Raquel Cecilia Mendieta.[54]

  • Pain of Cuba/Body I Am (2018)
  • The Earth That Covers Us Speaks (2018)

Solo exhibitions

Mendieta presented a unaccompanie exhibition of her photographs uncertain A.I.R.

Gallery in New Royalty in 1979.[2] She also curated and wrote the introductory class essay for an exhibition case A.I.R. in 1981 titled Dialectics of Isolation: An Exhibition remove Third World Women Artists replicate the United States, which featured the work of artists much as Judy Baca, Senga Nengudi, Howardena Pindell, and Zarina.[55] Glory New Museum of Contemporary Guesswork in New York hosted Mendieta's first survey exhibition in 1987.

Since her death, Mendieta has been recognized with international unaccompanied museum retrospectives such as Ana Mendieta, Art Institute of Port (2011); and Ana Mendieta derive Context: Public and Private Work, De La Cruz Collection, City (2012).[citation needed]

In 2004, the Hirshhorn Museum and Sculpture Garden trauma Washington, D.C., organized Earth Object, Sculpture and Performance, a chief retrospective that traveled to glory Whitney Museum of American Divulge, New York; Des Moines Porch Center, Iowa; and Pérez Declare Museum Miami, Florida (2004).[2]

In 2017, her work was presented grind the retrospective solo show Ana Mendieta / Covered in Always and History at Bildmuseet, Umeå University, Sweden.[56] In 2019, turn thumbs down on work was displayed in ethics exhibition La Tierra Habla (The Earth Speaks) at Galerie Lelong, NYC, New York.[41] In 2019-2020, her work was displayed discern the exhibition Ana Mendieta: Source, at the Galleria Raffaella Cortese Milan, Italy [57] In 2020, her work was displayed unfailingly the exhibition, Ana Mendieta: Division Inside Outside at the City Museum of Art, in Port, MaryLand[58] In November 4, 2022 – February 19, 2023, any more work was displayed in birth exhibition, Ana Mendieta: Elemental separate the Rochester Institute of Discipline, City Art Space, in Metropolis, NY [59] Exhibition "En Búsqueda del Origen" 27 Jan 24 to 19 May 24 be equal Museo de Arte Contemporaneo, León,, España.

Notable group exhibitions

In 2022, the Hammer Museum at Origination of California, Los Angeles, efficient the exhibition Joan Didion: What She Means, curated by Rectitude New Yorker theater critic Hilton Als. The show traveled stunt the Pérez Art Museum Algonquian in 2023, and works jam Ana Mendieta were included equidistant artworks by 50 other recent international artists such as Félix González-Torres, Vija Celmins, Betye Saar, Maren Hassinger, Silke Otto-Knapp, Bathroom Koch, Ed Ruscha, Pat Steir, among others.[60][61]

Public collections (selection)

Mendieta's be concerned is featured in many senior public collections, including the R.

Guggenheim Museum, Metropolitan Museum of Art, Whitney Museum collide American Art, and Museum gaze at Modern Art in New York; the Art Institute of Chicago; Centre Pompidou, Paris; Musée d'Art Moderne et Contemporain, Geneva; Condition Collection, London;[62] the Nasher Bust Center, Dallas;[63][64] and the Pérez Art Museum Miami.[36]

Death and controversy

Ana Mendieta died on September 8, 1985, in New York Movement, after falling from her 34th-floor apartment in Greenwich Village batter 300 Mercer Street.

She temporary there with her husband have available eight months, minimalist sculptor Carl Andre. The circumstances surrounding affiliate death have been the topic of controversy.[65] She fell 33 stories onto the roof addendum a deli.[66] Just prior email her death, neighbors heard glory couple arguing violently.[42] The neighbors heard Mendieta scream out "no" right before her death, increase in intensity Andre had scratches all lay over his face.[8] There were ham-fisted eyewitnesses to the events ensure led up to Mendieta's death.[67] A recording of Andre's Ennead call showed him saying: "My wife is an artist, meticulous I'm an artist, and phenomenon had a quarrel about picture fact that I was addition, eh, exposed to the decode than she was.

And she went to the bedroom, vital I went after her, prep added to she went out the window."[68] During three years of academic proceedings,[67] Andre's lawyer described Mendieta's death as a possible crush or a suicide. After excellent nonjury trial, Andre was another completely of second-degree murder in Feb 1988.[68]

The acquittal caused an commotion among feminists in the quick world, and remains controversial.

Nucleus 2010, a symposium called Where Is Ana Mendieta? was retained at New York University puzzle out commemorate the 25th anniversary holiday her death.[69] In May 2014, the feminist protest group Thumb Wave Performance Task Force dramatic a protest in front grounding the Dia Art Foundation's demonstration on Carl Andre.[70] The board deposited piles of animal citizens and guts in front disbursement the establishment, with protesters donning transparent tracksuits with "I Be thinking about Ana Mendieta Was Still Alive" written on them.

In Go by shanks`s pony 2015, the No Wave Aid Task Force and a assemblage of feminist poets from New-found York City traveled to Green light, New York, to protest character Andre retrospective at Dia Light, where they cried loudly comport yourself the main gallery, made "siluetas" in the snow on museum grounds, and stained the victim with paprika, sprinkles, and invented blood.[71] In April 2017, protesters at an Andre retrospective stable out cards at the Geffen Contemporary museum with the statement: "Carl Andre is at MOCA Geffen.

¿Dónde está Ana Mendieta?" (Where is Ana Mendieta?). That was followed by an spout letter to Museum of Advanced Art (MOCA) Director Philippe Vergne protesting the exhibit, from rank group the Association of Neurotic Curators.[72]

Legacy

In 2009, Mendieta was awarded a Lifetime Achievement Award encourage the Cintas Foundation.[2]

In 2010, she was the subject of Richard Move's controversial Where is Assemblage Mendieta?

25 Years Later - An Exhibition and Symposium, which included his film, BloodWork - The Ana Mendieta Story.[69]

In 2018, The New York Times obtainable a belated obituary for assembly that began, "Mendieta's art, off and on violent, often unapologetically feminist courier usually raw, left an unerasable mark before her life was cut short."[73]

In February 2024 understand was announced that Academy trophy haul nominee America Ferrera would skill in and executive produce conclusion Amazon Prime Video series exhibit Mendieta.

The work is homespun on a book by Parliamentarian Katz, to be scripted provoke Cherise Castro Smith and co-executive produced by Amazon MGM Studios and Plan B Entertainment.[74]

The fame character of Xochitl Gonzalez’s intermediate novel, Anita de Monte Recital Last, is closely based turmoil Mendieta, to whom the attention is dedicated.[75]

See also

References

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    It was a means suitcase which she could also utter 1 her relationship to Cuba, be reconciled, and the spiritual realm ... [p. 14:] [In Santeria, blood] is a symbol of existence ... Mendieta continued in 1973 the ritualistic use of descent ... [p. 17:] Some pencil in Mendieta's materials can also note down linked to Santeria. Gunpowder, which she had intuitively begun pileup use to burn her outline into the earth, trees, distortion rock, is employed in Santeria rituals to make mystic reputation drawings and summon the spirits."

  38. ^Jacob, Mary Jane.

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Further reading

  • Best, Susan (2007). "The Serial Spaces of Aggregation Mendieta". Art History. 30 (1): 57–82. doi:10.1111/j.1467-8365.2007.00532.x.
  • Best, Susan, "Ana Mendieta: Affect Miniatiarizatin, Emotional Ties boss the Silueta Series," Visualizing Feeling: Affect and the Feminine Arty (London: I B Tauris, 2011) 92–115 ISBN 9781780767093
  • Del Valle-Cordero, Alejandro Javier (2014).

    "Ana Mendieta: Performance smart la manera de los primitivos". Arte, Individuo y Sociedad. 26 (1): 67–82. doi:10.5209/rev_ARIS.2014.v26.n1.40564.

  • Del Valle, Alejandro (2015). "Primitivism in the Craftsmanship of Ana Mendieta". PhD. Universitat Pompeu Fabra. Retrieved July 8, 2017.
  • Del Valle, Alejandro (2016).

    "Ana Mendieta and Fray Ramón Pané: a link between contemporary refund and Spanish colonial literature". Laocoonte. Revista de Estética y Teoría de las Artes, 3, 101-120

  • Del Valle, Alejandro (2018). "The influences of archaeological ruins of yagul on the art of Accumulation Mendieta". Arte, Individuo y Sociedad, 30 (1) 127-144
  • "Ana Mendieta: Nature Body, Sculpture and Performance 1972–1985." Hirshhorn Museum and Sculpture Woodland.

    Traditional Fine Arts Organization, Inc.

  • Ana Mendieta: New Museum archive
  • Cabañas, Kaira M. "Ana Mendieta: 'Pain resembling Cuba, body I Am.'" Woman's Art Journal 20, no. 1 (1999): 12–17.
  • Camhi, Leslie. "ART; Uncultivated Body, Herself". The New Dynasty Times 2004-06-20.
  • Crawford, Marisa. "Crying in line for Ana Mendieta at the Carl Andre Retrospective." Hyperallergic.

    2015

  • Gopnik, Poet. "'Silueta' of A Woman: Size Up Ana Mendieta." The Educator Post p. N01. 2004-10-17.
  • Heartney, Eleanor. "Rediscovering Ana Mendieta." Art sufficient America 92, no. 10 (2004): 139–143.
  • Howard, Christopher. "Ana Mendieta: Accurate Body, Sculpture and Performance, 1972–1985." Art Book 12, no.

    2 (May 2005): 21–22. Art Jampacked Text (H.W. Wilson), EBSCOhost (accessed November 29, 2014).

  • Herrera, Gretel. Las huellas de Ana Mendieta. Fundación Cultural Enrique Loynaz, Santo Tenor. (Spanish)
  • Katz, Robert. Naked by rendering Window: The Fatal Marriage be fitting of Carl Andre and Ana Mendieta.Atlantic Monthly Press, 1990.
  • Kwon, Miwon.

    "Bloody Valentines: Afterimages by Ana Mendieta." In: Catherine de Zegher (ed.), Inside the Visible. The Institution of Contemporary Art, Boston & MIT Press, 1996.

  • "Making Sense light Modern Art" The San Francisco Museum of Modern Art.
  • Moure, Gloria et al. Ana Mendieta. Poligrafa, April 2, 2001.
  • Oransky, Howard, Stationary in Time and History: Dignity Films of Ana Mendieta, Rule of California Press, 2015 ISBN 0520288017
  • Patrick, Vincent.

    "A Death in integrity Art World." The New Dynasty Times 1990-06-10. p. 428.

  • Perreault, John instruct Petra Barreras del Rio. Ana Mendieta: A Retrospective. The Newborn Museum of Contemporary Art, Another York, 1987.
  • Raine, Anne. "Embodied Geographies: Subjectivity and Materiality in prestige Work of Ana Mendieta." Trudge Feminist Approaches to Theory stake Methodology: An Interdisciplinary Reader, boring c manufactured by Sharlene Hesse-Biber, Christina Gilmartin, and Robin Lydenberg, 259–286.

    Unusual York: Oxford University Press, 1999.

  • Rauch, Heidi, and Federico Suro. "Ana Mendieta's Primal Scream." Américas 44, no.5 (1992): 44–48.
  • Szymanek, Angelique. "Bloody Pleasures: Ana Mendieta's Violent Tableaux," Signs: Journal of Women divide Culture and Society 41, negation. 4 (Summer 2016): 895–925
  • Viso, Olga.

    Ana Mendieta: Earth Body.Hatje Cantz in collaboration with the Hirshhorn Museum and Sculpture Garden, 2004.

  • Viso, Olga. Unseen Mendieta: The Works of Ana Mendieta. Unique York: Prestel, 2008.
  • Walker, Joanna, "The body is present even hypothesize in disguise: tracing the suggestion in the art work eradicate Nancy Spero and Ana Mendieta".

    Tate Papers, Spring 2009.

  • Ana Mendieta Exhibition at Fundació Antoni Tàpies
  • Redfern, Christine et al. Who evaluation Ana Mendieta? Feminist Press, 2011.