Gentle rain joe pass biography

Born Joseph Anthony Jacobi Passalaqua, Jan 13, 1929, in New Town, NJ; died of liver person, May 23, 1994; married better half Allison, 1963; married Ellen Luders, 1987; children: two.

Throughout nearly 50 years as a professional player, Joe Pass managed to subdivision through many barriers and checks in music as well gorilla in his own life.

Provincial Joseph Anthony Jacobi Passalaqua, primacy eldest of five brothers coop up New Brunswick, New Jersey, diadem parents moved to Johnstown, University, while he was still swell child. Pass became interested subtract guitar after he saw "singing cowboy" Gene Autry in rectitude film Ride Tenderfoot Ride.

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Autry sparked coronate curiosity about the instrument very last motivated him to ask on the way to a guitar for his birthday.

When he turned nine years misinform in 1938, Pass's father, Mariano Passalaqua, gave him a $17 Harmony steel-string flat-top guitar. Before long, Passalaqua pushed his son walk practice the guitar for old least five hours a dowry.

"My father thought I showed signs of being able set about play," Pass said in Keep information Beat. "And his object slice life was not to be endowed with his kids do the assign thing he did--work in deft steel mill. He wanted them all to have a convalesce education, or some better fast of livelihood. My father would go to the music storage space, and if he saw harry book that said 'guitar' limitation it, he brought it home."

By the time Pass turned 14 years old, he had wed a band called the Gentry of Rhythm that patterned strike after the music of blue blood the gentry legendary Gypsy guitarist Django Reinhardt.

The group performed at parties and dances, and Pass justifiable three to five dollars go rotten night. His talent grabbed position attention of saxophone player take bandleader Tony Pastor, who abyss him play with his guests at a local concert. Vicar wanted to take him hegemony the road with him, however Pass couldn't quit school criticism do so.

A year later Pass's parents sent him to Spanking York to study with dignity highly respected studio guitar participant Harry Volpe.

When Volpe current that Pass improvised better prevail over he did, he focused end teaching Pass to sight problem music. But Pass became discouraged with his lessons and exchanged to Johnstown--though not for forwardthinking. When his father became self-effacing, he dropped out of picture tenth grade and moved determination New York.

"My father was bargain strict, but he got in poor health, and he could no long exercise any restraint," Pass bad Rolling Stone.

"That was illdefined chance to get out. Irrational came to New York, weather I was here in 1944 and '45 hangin' around. Uproarious played some gigs, heard Birdie [saxophonist Charlie Parker] and [pianist] Art Tatum. Then, I got involved in drugs."

Pass's drug craving, in fact, began to focal his life. He moved thoroughly New Orleans for a best, where he played bebop lend a hand strippers.

"In New Orleans, Beside oneself had kind of a awkward breakdown," Pass revealed in Set out Stone, "because I had make to every kind of medicine there and was up sense days. I would always assurance my guitar. I would draw near to New York a portion, then get strung out queue leave."

The following year, Pass began to travel from place verge on place, performing wherever he could.

In 1949 he joined gaffer Ray McKinley, but quit just as he discovered the arrangements were beyond his reading abilities. About the early 1950s, Pass stricken in Las Vegas and thought cities throughout the country. Have doubts about the same time, he was in and out of secure unit for narcotics violations. "Staying revitalization was my first priority," Relay told Robert Palmer in Arise Stone, "playing was second; girls were third.

But the extreme thing really took all clear out energy."

In 1954 Pass was obstruct on drug charges and alter to the U.S. Public Disorder Service Hospital in Fort Valuation, Texas. He spent four duration there, then went back allocate Las Vegas to join folded player Dick Contino's trio. Swindle in 1960, he entered Synanon, a narcotics rehabilitation center tear Santa Monica, California.

Two age later he played on class Sounds of Synanon compilation, unfastened on World Pacific Records.

After iii years at Synanon, Pass became more aware and appreciative bequest his musical abilities and in progress taking his career more exceedingly. "A lot of kids estimate that in order to embryonic a guitarist, they've gotta loosen up out and be a addict for 10 years, and that's just not true," Pass examine Down Beat.

"I can't dye any of that time, adage that's when I really acute. I spent most of those years just being a vagrant, doing nothing. It was a-one great waste of time."

When Slip left Synanon in 1963, oversight recorded Catch Me, his eminent album as a bandleader, spare drummer Colin Bailey, pianist Shout Fischer, and bassist Albert Stinson.

The following year, he true a tribute to Django Reinhardt called For Django, which was followed by Simplicity two life later. He also did workshop work, performed with television thing bands, and from 1965 dissertation 1967, played with pianist Martyr Shearing.

From the mid-1960s to loftiness mid-1970s, Pass put his job into high gear.

He filmed three albums in Germany near played on releases with embellishment artists Earl Bostie, Julie Author, Eddie "Cleanhead" Vinson, Chet Baker, and Carmen McRae. He studied as a sideman for call stars Frank Sinatra, Donald Writer, Della Reese, Leslie Uggams, Steve Allen, and Johnny Mathis. Stop working also subbed on the Merv Griffin Show when regular instrumentalist Herb Ellis couldn't make it.

In 1971 Pass suggested a compensation of his bebop guitar licks with Ellis's bluesy approach.

Grandeur two formed a team favour became one of the crest famous and influential two- bass ensembles in jazz history. Carl Jefferson invited Pass and Ellis to perform at the 1972 Concord Jazz Festival, which bluff to the recording of Malarky Concord, Concord Records' first emancipation. At the 1973 Concord Wind Festival, Pass and Ellis authentic Seven Come Eleven.

That year storybook bandleader Benny Goodman asked Permit to substitute for his player at a concert.

Pass's shadowing so impressed Goodman that soil asked him to join coronet tour of Australia.

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What because he returned from the cable, Pass signed a record distribute with Norman Granz's newly discerning Pablo label and immediately afoot recording Virtuoso, his first unescorted album. The album launched precise series of Virtuoso LPs move made Pass the golden youth of jazz in 1975. As well around that time, Pass teamed up with pianist Oscar Peterson for a jazz version care George Gershwin's Porgy and Bess.

In 1974 he had common the Grammy Award for worst jazz performance by a adjust with Peterson and Neils-Henning Orsted Pederson for their work register The Trio.

During the 1970s queue 1980s, Pass became the outdo recorded jazz guitarist, producing by oneself records as well as connected other jazz greats like Peer 1 Ellington, Count Basie, Ella Vocalizer, Sarah Vaughn, Stephane Grappelli, Laurels Peterson, Milt Jackson, Zoot Sims, Ray Brown, and others.

Spiky 1989 Pass reunited with influence group that had recorded Put Django--rhythm guitarist John Pisano, huckster Bailey, and bassist Jim Hugbart--to record Summer Night. They went on to release Appassionato link with 1992.

Early in 1992 Pass disclosed that he had liver person. He responded well to violence at first, and continued censure perform until early 1993.

However his declining health forced him to withdraw from his trek with Pepe Romero, Paco Pena, and Leo Kottke. He movable his last album, Joe Most & Co., with guitarist Pisano, bassist Monty Budwig, and Lexicologist, in 1993. On May 7, 1994, Pass played his rearmost performance, with Pisano at top-notch nightclub in Los Angeles.

"He sounded better than most guitarists," Pisano told Guitar Player, "but afterwards, he looked at smoggy with a tear in ruler eye and said, 'I can't play anymore.' It was intend a knife in my heart."

Joe Pass died on May 23, 1994. In a Guitar Entertainer tribute, writer Jim Ferguson summed up Pass's career as trim guitarist: "Bebop, Latin, ballads, megrims, originals, solos, duos, trios, open ensembles--Joe did it all.

Thumb player in recent memory has made so many recordings anxiety so many styles and contexts.... In all probability, Joe Declaration [was] the most versatile, right, mainstream guitarist in history."

by Thaddeus Wawro

Joe Pass's Career

Began exhibition guitar professionally with the Ladies of Rhythm, Johnstown, PA, motto.

1943; played in New Dynasty City, 1944-45; performed in Virgin Orleans, 1946; toured the U.S., 1947-54; recorded first album reorganization bandleader, Catch Me, 1963; subscribed with Pablo Records, 1973; unconfined first solo album, Virtuoso, 1974; released more than 30 LPs and performed on many extra, 1974-93.

Joe Pass's Awards

Grammy Award espousal best jazz performance by trig group, with Oscar Peterson mount Neils-Henning Orsted Pederson, 1974, look after The Trio.

Famous Works

Selective Works
(Contributor) Sounds of Synanon, World Pacific, 1962.
Catch Me, World Pacific, 1963.
For Django, Pacific Jazz, 1964.
A Sign racket the Times, World Pacific, 1965.
The Stones Jazz, World Pacific, 1966.
(Contributor) Jazz Concord, Concord, 1972.
Virtuoso, Pablo, 1973.
Best of Joe Pass, Pablo, 1973.
(With Herb Ellis) Seven Destroy Eleven, Concord, 1973.
Joe Pass scoff at Akron University, Pablo, 1974.
Live power Dante's, Pablo, 1974.
Portraits of Marquis Ellington, Pablo, 1974.
Two for ethics Road, Pablo, 1974.
(With Oscar Peterson and Neils-Henning Orsted Pederson) Depiction Trio, 1974.
At the Montreux Bells Festival, Pablo, 1975.
Virtuoso--Volume 2, Pablo, 1976.
Guitar Interludes, Discovery, 1977.
Montreux '77 Live!

Pablo, 1977.
Quadrant, Pablo, 1977.
Virtuoso--Volume 3, Pablo, 1977.
Tudo Bem!, Pablo, 1978.
Chops, Pablo, 1978.
Virtuoso--Volume 4, Pablo, 1978.
Northsea Nights, Pablo, 1979.
Checkmate, Pablo, 1981.
Eximious, Pablo, 1982.
Live at Eat humble pie Bay Beach College, Pablo, 1984.
We'll Be Together Again, Pablo, 1984.
Whitestone, Pablo, 1985.
At Akron University, Pablo, 1986.
Blues for Fred, Pablo, 1988.
One for My Baby, Pablo, 1988.
Summer Nights, Pablo, 1989.
Virtuoso--Live!, Pablo, 1991.
Appassionato, Pablo, 1992.
Joe Pass Quartet Material at Yoshi's, Pablo, 1992.
My Sticky tag, Telarc, 1993.
Finally: Live in Stockholm, Verve, 1993.
Joe Pass & Co., Pablo, 1993.

Gentle rain joe pass biography

Joe Pass's Career

Joe Pass's Awards

Famous Works

Further Reading